I plan to give it to my 4yr-old as her first camera. It was either that or a P&S – it wasn’t much of a contest. I want my daughter to think iPads and plenoptic cameras always existed, that I’m a dinosaur with my M.
This is the Polaroid of this era, what an amazing disruptive technology! Go Brian, go!
I had written this whole disparaging tirade about multi-frame blending hacks we keep hearing about here at NVIDIA. I’m skipping that to keep this positive.
In comparison to that other stuff, light field photography is a whole new medium where you’re making holographs instead of photographs. This medium has appeal for the lowest of amateurs at some immediate mass-market level (the focus thing) but to the serious artist there will soon be possibilities which did not previously exist. It will take a while for people to figure out what visual art can be made from holographs, and how to present them in mind-stimulating ways, and for all the tools to arrive that enable that.
It might take my daughter’s generation to grow up for that to really happen.
The gear will mature too and will stretch its application range. The beauty of this technlogy is that it’s relevant all the way to the top: think light field in a Phase One, light field in a RED. OMG. It just gets better and better, more and more mind-blowing as you think about it moving up the food chain.
This is the first week of the rest of photography’s history.